Monday, December 18, 2017

The Prisoner and the Modern World, Occult Roots of Modernity, Post-Mortem Photographs

Six ways the cult show The Prisoner prepared us for the modern world (Stephen Dalton, BFI)

The Occult Roots of Modernism (Alex Ross, The New Yorker)

Clearing Up Some Myths About Victorian 'Post-Mortem' Photographs (Sonya Vatomsky, Atlas Obscura)